The layering holds space as an active material: sometimes open as a vessel, sometimes sealed, sometimes staged with small figurative forms at the rim of emptiness. In some works the circles break, erode, and fall away, leaving the loop interrupted—an insistence on fragmentation rather than closure. Built as strata, the forms explore time as a circular event—held, compressed, and sedimented in layers of clay. Across these variations, the repeated circle becomes a way to test how form can carry time, containment, and relation.
