The project begins as a worldview experiment: how might an artwork open a non- anthropocentric, more-than-human cosmological space in which the human is not privileged as the sole bearer of soul or agency, but is one participant among many within nature’s exchanges?
This virtual exhibition is the digital expression of an ephemeral land art installation realised across three moon-phase events. In these installations, unfired handmade clay spheres—three in two events and twelve in another—were placed on a mountain peak and in the incoming tide, surrendering their form to the agency of the ocean.
Grounded in Hartmut Rosa’s Unverfügbarkeit (uncontrollability), the work understands encounter and transformation as events that arise when control is partially released. Its tempo is shaped by full-moon phases and an astrological framing at the threshold of the Fire Horse year.
DisSolution unfolds as a rehearsal: a collaborative project co-authored with the ocean and the land, realised through a collective of artists. Rehearsal is not preparation but method: a repeatable way to meet uncertainty, test relations, and allow the work to be shaped by what exceeds intention.
Moving between mountain and sea, the work forms a layered dialogue of becoming and dissolving. Across the exhibition, video art, biofeedback sound, and astro-photography function as autonomous artworks rather than documentation, holding the project in time and space as a continuum rather than a monument.