{"id":1125,"date":"2026-01-21T07:26:54","date_gmt":"2026-01-21T07:26:54","guid":{"rendered":"https:\/\/www.ellipsis.pink\/phl\/?page_id=1125"},"modified":"2026-01-21T07:44:37","modified_gmt":"2026-01-21T07:44:37","slug":"accademia-del-giglio","status":"publish","type":"page","link":"https:\/\/www.ellipsis.pink\/phl\/?page_id=1125","title":{"rendered":"accademia del giglio"},"content":{"rendered":"\n<div class=\"wp-block-essential-blocks-advanced-heading  root-eb-advance-heading-29z50\"><div class=\"eb-parent-wrapper eb-parent-eb-advance-heading-29z50 \"><div class=\"eb-advance-heading-wrapper eb-advance-heading-29z50 button-1 waviy\" data-id=\"eb-advance-heading-29z50\"><h2 class=\"eb-ah-title\"><span class=\"first-title\">Accademia del Giglio<\/span><\/h2><\/div><\/div><\/div>\n\n\n\n<p class=\"has-accent-4-color has-text-color has-link-color has-medium-font-size wp-elements-3db325b2a978b80b0e33f3f3755b1cdf\">These sculptures were developed during my studies at the Accademia del Giglio, Florence (2025). The work set out to revisit a classical approach to figurative sculpture. The photographs document the pieces in progress or near completion; due to time constraints and the lack of firing facilities, none were fully finished. All works were modelled in solid clay.<\/p>\n\n\n\n<p>Working in Florence offered the rare experience of being continuously shaped by the city\u2019s sculptural presence. While Michelangelo forms an unavoidable reference point, it was Marino Marini\u2019s work that held my attention most strongly. The images presented here serve as a personal record of my studio process in Italy.<\/p>\n\n\n\n<div class=\"wp-block-essential-blocks-image-gallery  root-eb-image-gallery-ww8gl\"><div class=\"eb-parent-wrapper eb-parent-eb-image-gallery-ww8gl \"><div class=\"eb-gallery-img-wrapper eb-image-gallery-ww8gl preset-4 v2 grid null enable-isotope    \" data-id=\"eb-image-gallery-ww8gl\" data-default-filter=\"*\" data-searchfilter=\"false\"><div data-type=\"image\" class=\"eb-gallery-img-content  eb-filter-img-filter-item-1\"><div class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"http:\/\/www.ellipsis.pink\/phl\/wp-content\/uploads\/2026\/01\/sculpt-flo-1-scaled.jpg\" image-index=\"1\" alt=\"\"\/><div class=\"eb-img-gallery-overlay\"><\/div><\/div><\/div><div data-type=\"image\" class=\"eb-gallery-img-content  eb-filter-img-\"><div class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"http:\/\/www.ellipsis.pink\/phl\/wp-content\/uploads\/2026\/01\/sculpt-flo-2-scaled.jpg\" image-index=\"2\" alt=\"\"\/><div class=\"eb-img-gallery-overlay\"><\/div><\/div><\/div><div data-type=\"image\" class=\"eb-gallery-img-content  eb-filter-img-filter-item-1\"><div class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"http:\/\/www.ellipsis.pink\/phl\/wp-content\/uploads\/2026\/01\/sculpt-flo-3-scaled.jpg\" image-index=\"3\" alt=\"\"\/><div class=\"eb-img-gallery-overlay\"><\/div><\/div><\/div><div data-type=\"image\" class=\"eb-gallery-img-content  eb-filter-img-\"><div class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"http:\/\/www.ellipsis.pink\/phl\/wp-content\/uploads\/2026\/01\/sculpt-flo-4-scaled.jpg\" image-index=\"4\" alt=\"\"\/><div class=\"eb-img-gallery-overlay\"><\/div><\/div><\/div><div data-type=\"image\" class=\"eb-gallery-img-content  eb-filter-img-filter-item-1\"><div class=\"eb-gallery-link-wrapper\"><img decoding=\"async\" class=\"eb-gallery-img\" src=\"http:\/\/www.ellipsis.pink\/phl\/wp-content\/uploads\/2026\/01\/sculpt-flo-5-scaled.jpg\" image-index=\"5\" alt=\"\"\/><div class=\"eb-img-gallery-overlay\"><\/div><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>These sculptures were developed during my studies at the Accademia del Giglio, Florence (2025). The work set out to revisit a classical approach to figurative sculpture. The photographs document the pieces in progress or near completion; due to time constraints and the lack of firing facilities, none were fully finished. All works were modelled in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":637,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"sculpture-single-page","meta":{"_eb_attr":"","footnotes":""},"class_list":["post-1125","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/pages\/1125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1125"}],"version-history":[{"count":7,"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/pages\/1125\/revisions"}],"predecessor-version":[{"id":1142,"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/pages\/1125\/revisions\/1142"}],"up":[{"embeddable":true,"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=\/wp\/v2\/pages\/637"}],"wp:attachment":[{"href":"https:\/\/www.ellipsis.pink\/phl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}